Legos as Art: A look at Nathan Sawaya's "The Art of the Brick"

Posted by Unknown | Posted in , , , , , , , , | Posted on Sunday, April 18, 2010

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It had been quite some time since I had visited the Everhart museum in Scranton, but today I ventured there with a few friends of mine to check out the new exhibit The Art of the Brick.

The Art of the Brick showcases sculptor Nathan Sawaya's unique ability to turn the Lego brick, something most of us identify with as one of the top ten things you don't want to step on, into interesting pieces of art.

When I was first informed of the display, I was immediately excited. As a child, countless hours were spent building Lego sets by the instructions, admiring them for a bit and then destroying them only to create something from my own imagination. Cars with wings, aircrafts that doubled as houses, houses that doubled as cars, and everything else from robots to spaceships. However, not once did I even grasp the full potential of what those little bricks could become.

In The Art of the Brick, Sawaya constructs sculptures of the surreal, the whimsical, childish and historical. Upon stepping into the exhibit, I was greeted by the largest sculpture on display. A T-Rex fossil replica which stood approximately six feet tall and about twenty feet long. It was almost humorous how I smiled and thought back to my childhood days. Every one of my friends would have been extremely envious of me if I had that many Legos let alone if I had created a dinosaur out of them.

While the T-Rex was incredibly impressive, I was more interested in his portraits. While not as intense or intricate as the T-Rex or other sculptures, the portraits seemed to bring the artistic element of the display to light and leave the novelty feeling behind. The sculptures had me in a constant state of boyhood fascination while the portraits made me stop and appreciate the actual idea behind Sawaya's work. However, a few of the sculptures, such as "Yellow" which eerily reminded me of Cronenberg's film Videodrome, had the same effect on me as his portraits.

Extremely detailed and lifelike pieces are not what you will find in Sawaya's work, but the scope of his imagination and ability to translate these ideas using a childhood toy seems to overshadow the physical limitations of the medium.

I can't help but to have a feeling of novelty when viewing his work, though. Part of this is due to the childhood connection to the medium. As I said, for most of the exhibit I was simply awash with a feeling of boyhood excitement. While walking among the other spectators, many of whom were young children and their parents, most of the artistic ambiance was lost. Children hustled around exclaiming their excitement about the pieces rather loudly while parents kept vigilante eyes on them making sure they didn't try to play with the sculptures. 

You become enthralled with a feeling of simple joy and memory and forget about the fact that you are in an art gallery viewing artistic pieces of work. This could be exactly what Sawaya is trying to convey. To transcend from childhood imagination into artistic expression while keeping the observer in a state of borderline giddiness. Even if this is the case, however, the novelty of it wears quickly leaving one to contemplate the actual artistic value of Sawaya's work.

Is Sawaya's work completely novelty and worthless? Of course not. He explores the use of a non-conventional medium and does so rather impressively. Imagination and creativity can run rampant but, as much as Sawaya claims that there are no limits to the possibilities, limitations are inherent. The sheer size of his current work would be almost impossible if not for the use of adhesive to keep it all together.

Overall, if you take Sawaya's work for what it is, it is, at the very least, interesting and enjoyable. Artistic? Yes. Novelty? Yes. But, would you really go into an exhibit of Lego sculptures expecting anything completely groundbreaking and artistically mind-blowing? Sawaya is not DaVinci. He is what we all wish we could have been when we started throwing together Lego blocks out of our plastic bin of hundreds of pieces. Sawaya just has a much larger bin with millions of pieces and plenty of time to play with them.

If you enjoyed Legos as a child or simply want to see something out of the ordinary, then I suggest checking out The Art of the Brick. It's an especially child-friendly exhibit and may help to get your children interested in the art world by associating art with toys and fun. However, if you happen to miss the exhibit or it doesn't make a stop in your area, I wouldn't be all too concerned. I do suggest at least looking at Sawaya's website, though.

The exhibit is on display at the Everhart museum in Scranton, Pennsylvania until May 2nd. Cost of admission for adults is $5 and this includes all other exhibits and collections within the museum. 

Finally, A New Look

Posted by Unknown | Posted on Friday, April 16, 2010

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I've been throwing around the idea of changing the look of my blog for some time. I've finally gotten around to doing so and found a template that I thought fit rather well. Trying to come up with a template on my own, coupled with the fact that I have not done any type of web-based programming since high school, was getting increasingly frustrating.

So, I present to you the new look of Manic Frustration. I hope you enjoy it. Please report any problems that you may have.

Thanks,
D.R. Wilsey Jr.

Rest in Peace, Peter Steele

Posted by Unknown | Posted in , , , , | Posted on Friday, April 16, 2010

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There are many different types of vocalists in the metal genre ranging from your falsetto King Diamonds to your soaring Messiah Marcolins and your grunting Lord Worms. Then, there are those handful of vocalists that, no matter what their vocal style is like, have voices so undeniably recognizable that it's something you identify with the band. 

Peter Steele was one of those voices. His vocals were immense, encompassing and haunting. One of the first metal shows I ever went to was a Type O Negative concert back when I was still too young to drive. When Steele stepped onto the stage, it was surreal. The man was tall enough as it was, but seeing him on the elevated stage with his bass slung over his shoulder and the chain guitar strap made him look like some exaggerated warrior. And not the type of "warriors" that Manowar tries to portray. Steele looked like he could crush the entire audience beneath his boots.

He slammed down a large bottle of Jagermeister onto a small, wooden table next to his microphone stand and introduced the band. The set of riffs and crushing sounds will forever live in my mind. I couldn't tell you all of the songs they played that night, but the entire feeling and aura of the show is still with me. Chains hung from the ceiling. An eerie glow of green and blue light lit the stage from the back, and smoke rolled off the stage as Type O and Steele trudged through their set-list in a crushing fashion. 

Everyone speaks of the dark humor that Type O portrays in interviews, their music and their live shows. It's true. They are funny fellows. But who knows if it's to make you laugh or simply to pull you out of the moment long enough so you don't become completely lost in the haunting and eerie feelings of the band's music. They'll bring you to the depths of depression and suicidal thoughts, only to bring you back with a humorous lyric or a comment about how "they suck."

Steele once said that you can measure your success in two ways. One is by how many people hate you and the other is if you've had sex with Madonna. I don't know if Steele ever got the chance to bed the bullet-bra wearing, buxom blonde and I'm not sure just how many people hated him and the band, but I know plenty of people appreciated him. Even those who weren't into Type O Negative or his other projects like Carnivore or Fallout still appreciated the man. His talent just cannot be denied.

I was lucky enough to experience the band and Steele's vocals in person and I'm certainly glad that I still have his music to appreciate for the rest of my own life. I never knew the man personally, but whenever a musician passes that I appreciate it affects me in a way that I'm not really sure how to describe. Not genuine sadness like that of a friend or family member passing, but a sort of sadness to know that someone of worth who contributed to art has moved on. That their will never be anything new from that mind. 

So, heres to you, Peter Steele. May you rest in peace.

Peter Steele 1962-2010

Rebirth

Posted by Unknown | Posted in , , , , | Posted on Friday, February 26, 2010

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I've said it before, but I believe this time I mean it. My writing is back in full swing. I've been working on some short stories, poetry and now I'd like to get back into writing reviews of music and such.

I believe I was a bit too scattered to keep my own attention on this blog, previously. The topics I chose varied too much with my own personal attention deficit. What I'd like to do right now is focus writing about the topics I'm passionate about: music, photography and, of course, writing.
This blog is where I’ll concentrate my non-creative writing. If you’re interested in the creative side of my mind, head on over to WritersCafe.org and look me up. You can find me under D.R. Wilsey Jr.

Many of the previous entries have been deleted to help in this change. Personally, I thought most of them were rubbish anyway. I left a few of the entries. Mainly the reviews that already existed.
Some various topics may creep in here and there, but I’m going to try and keep this focused. So, let’s see if I can keep this going.

Cheers,
D.R. Wilsey Jr.

No more late-night layouts

Posted by Unknown | Posted in , , , , , , , | Posted on Thursday, February 21, 2008

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Unfortunately, after much deliberation, I decided to leave the news editor position at The Keystone. I didn't want to, but it needed to be done. This was the letter that appeared in my last issue:

A message from The Keystone’s news editor

To our readers,

When I came to KU as a freshman, I never thought that I would see some of the things that I have seen take place. I remember visiting the campus before Boehm was finished and the old science building still stood. I remember when the Academic Forum was still a field.

I also remember my first article that I handed to the opinions editor of The Keystone. It was a rant on the lack of vegetarian options on campus. I had no idea that following the article, I would be asked to meet with the head of Food Services.

That first article showed me that even one person on this campus could have a voice. I saw results after that article was printed. Not huge results, but results.

I felt the need to continue writing for The Keystone. I felt a need to try and keep my peers informed through my articles, or at least to stir the pot a bit to bring up discussions.

When I became the news editor for The Keystone, I felt that I had an obligation to the readers, be they students, residents, faculty or staff. News had to be covered and I wanted to ensure that the important matters came to the surface and that as much information as possible made it to the pages of The Keystone.

As a Professional Writing/English major, the paper offered me a chance to build my portfolio, sharpen my skills as a writer and an editor, and to interact with students and the faculty. I learned a lot. I learned that I could trust more people than I originally believed.

I also learned that not everyone could be trusted. I learned that some words are transparent.

It is because of the worthless words of certain individuals that I have painfully decided to step down from my position of news editor. I say painfully because I don’t want to leave.

I would like to continue to provide the best material for readers that I possibly can, but I would also like to eat and afford the bills that I must pay to live.

For the past semester and a half, I have been pouring hours of my time into The Keystone as a volunteer. I, and the rest of the staff, continue to bring you a paper out of our duty.

We’re not paid (we’re baffled, too) and we receive no credits. The Keystone staff was paid stipends prior to the 2007 fall semester, but after a decision by president Cevallos, those stipends were pulled.

Hours are spent speaking with students, speaking with faculty, talking with journalists, making phone calls, writing articles, editing and creating the paper. We receive nothing but the appreciation we are shown by a limited amount of people.

We do this for you.

Again, I do not want to leave, but I haven’t found any place in or around Kutztown where I can live and eat for free.

I enjoyed my time here and I’m sorry to leave. I hope that I have provided you, the readers, with quality material to read.

Sincerely,
Dale R. Wilsey Jr.
News Editor, The Keystone

No confidence in Kutztown University president

Posted by Unknown | Posted in , , , , , , , , | Posted on Thursday, February 14, 2008

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"By a vote of 45 to 15 (with 4 abstentions) APSCUF-KU Representative Council has authorized a vote of no confidence in President Cevallos.

Over the next two weeks APSCUF-KU will hold several faculty meetings to discuss the bill of particulars in even more detail. Links to the bill of particulars and other supporting documents can be found on the right-hand sidebar and the APSCUF-KU web site.

Further details about the voting dates and upcoming meetings will be posted here as soon as they become available."

-From the APSCUF-KU "no confidence" blog


KUTZTOWN--Only a few hours ago, APSCUF-KU (Association of Pennsylvania State College & University Faculties, Kutztown University chapter) voted to move ahead with a vote of "no confidence" in KUs president, Dr. F. Javier Cevallos.

The vote comes after months of negotiations that have shown little result on issues that APSCUF-KU has raised in a bill of particulars.

Students, faculty, and residents of Kutztown were split on the decision of whether or not such a vote should be taken. An open meeting was held on Jan. 31 in KUs Alumni Auditorium. Individuals from the campus and community urged for the vote to take place while others praised Cevallos for his work.

Today, the APSCUF representatives from each of the departments within KU voted to move ahead with the vote of "no confidence."

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Visit the APSCUF-KU website for more information.