Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Hell's Breaking Luce: Tom Waits' "Bad As Me"

Posted by Unknown | Posted in , , , , , , , , , | Posted on Monday, October 24, 2011

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Tom Waits has always had an extraordinary talent for weaving the real with the surreal. The every day with the oddities of life. He's a circus midway in the middle of a swamp. A Peterbilt hauling a diner down a desert road with the Tattooed Lady from the sideshow in the passenger's seat. And blaring through jukeboxes, bullhorns and radios everywhere is Waits' new album Bad As Me. His first in seven years, Waits has delivered once again.

Right from the get go, "Chicago" sends you flying down the rails on a trip to the unknown as Waits gives you his own brand of a history lesson on the Great Migration of African Americans to northern cities beginning in 1916. Waits states, "Maybe things will be better in Chicago / well it's brave for us to stay / even braver to go", ending with an urgent "All aboard!" 


One of the things you'll notice about Bad As Me is that Waits touches upon some current sociopolitical issues in a few tracks. Something, I feel, he doesn't often do. "Talking at the Same Time" is a blatant, melancholy comment on the current state of the American economy and the contrast of poverty and wealth.

Get a job, save your money, listen to Jane
everybody knows umbrellas cost more in the rain
and all the news is bad
is there any other kind?
Everybody's talking at the same time.
Well it's hard times for some
for others it's sweet
Someone makes money when there's blood
in the street.

Some artists can overdo the political commentary, but Waits approaches it with a subtle touch. The backing instrumentation to "Talking at the Same Time" paints a picture of trudging, down-on-their-luck feet walking along the street, peering in at well-off fat cats profiting from the labor of the lower class...

Well we bailed out all the millionaires
they got the fruit
we got the rind

Bad As Me is an eclectic mix of sounds. Something all Waits fans will expect before hand regardless, but here he really swings in all directions of sound. From the rockabilly infused "Get Lost" which professes a want to ramble and roam with a tight sweater-wearing love to the flamenco-tinged "Back in the Crowd" to the  uncharacteristically heavy anti-war song "Hell Broke Luce", a track only slightly rivaled in intensity by previous Waits' tracks like "God's Away on Business".

Kelly Presutto got his thumbs blown off
Sergio's developing a real bad cough...
Hell broke Luce...
Boom went his head away
and boom went Valerie
what the hell was it that the president said?
Give them all a beautiful parade instead
left, right, left

Even for Waits, this album touches an incredibly varied amount of sounds and ideas. It's as though a pinball was fired through his gray matter touching every corner of his creative conscious before constructing Bad As Me. For some, this may be a bit to take in but, for the experienced and seasoned Waits fans, you'll enjoy just how much he can still surprise you after almost 40 years of creating music.

Waits' tender, romantic side shows through in tracks like "Back in the Crowd", a western-tropical sounding, love lost ballad, "Kiss Me", a crackling, jazzy tune that searches for the excitement of new love in a long-time lover: "Kiss me like a stranger once again / I wanna believe our love's a mystery / I wanna believe our love's a sin". In "Last Leaf", Waits creates what most will interpret as having a deeper, more personal meaning of holding on to more than what he shows on the surface. Waits explains, in a recent interview, "...you could say everything's a metaphor for everything else, but sometimes it's just what it is. It's just what it's about...a tree."

There are a few, small, almost insignificant issues I have with the album, but the good has so far outweighed those issues that I have trouble remembering them. Also, if past experience is any indication, any problem I may have with a Tom Waits track slowly erodes over time leaving me with only the good. Songs that I may not have much affinity for at first become clearer over time as the nuances come to the surface and pull me in.

Bad As Me has, so far, been another incredible Waits experience. It's filled with just the right amount of every human emotion, gradually floating between melancholy and longing. Falling fast into madness and landing in a pile of tender love. Maybe I'm just too much of a fan of Tom Waits, but I really have nothing negative to say about him right now. Unless he decides not to tour. Then, I may be a touch angered.

Overall, I'd have to rate this up there with some of my favorite Waits' albums. The best? No. But this album is incredibly diverse and full of incredible art and vision. The only thing I ask of Mr. Waits is to not keep us waiting another seven years. Bring it on the road, Tom. We all want to see your magic explode on stage like a calliope full of dynamite.

ANTI Records has released a deluxe edition of Bad As Me that includes three additional tracks on a separate CD as well as a 40-page hardcover booklet containing  images and lyrics of and inspired by the album. It is also available in a 180 gram vinyl version which comes complete with a slightly altered paper booklet and CD version of the album. Note that the vinyl version does not contain the three bonus tracks.


All photos included in this post are created by photographer Anton Corbijn. See more here.

Information on my benefit gallery this Friday

Posted by Unknown | Posted in , , , , , , , , , , , | Posted on Monday, October 03, 2011

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On October First Friday, there will be a gallery of my photography opening at the Scranton Cultural Center in Scranton, PA. This gallery will serve as a way to raise funds for the restoration of the Dietrich Theater in Tunkhannock, PA, my home town. All of my work will be for sale and, if purchased on the first night of its showing, every penny will be donated to the Dietrich Theater. Donations other than the purchase of my photography will also be accepted up until 10p.m. Here is the information about my upcoming gallery:


WHO: The Scranton Cultural Center featuring artist Dale Wilsey Jr.

WHAT: First Friday Exhibit: to benefit the Wyoming County Cultural Center at the Dietrich Theater


WHEN: October 7th, 2011 5-8 p.m.


WHERE: The Scranton Cultural Center

420 North Washington Avenue
Scranton, PA 18503
4th Floor, Shopland Hall Lobby

TICKET PRICE: Free
FROM ONE CULTURAL CENTER TO ANOTHER: SUPPORTING ARTS IN NEPA: Scranton, PA -- Sept. 20th, 2011 -- The Scranton Cultural Center at the Masonic Temple will host a benefit exhibit to raise money to help restore and rebuild the Dietrich Theatre in Tunkhannock. The Dietrich Theatre (the Wyoming County Cultural Center) was recently devastated by record flooding. Estimated costs to restore and repair are close to $100,000.

The exhibit will take place Oct. 7th, in conjunction with Scranton's First Friday, as well as, the kickoff of the SCC Electric City Listen Local series. The free exhibit will begin at 5pm on the 4th floor Shopland Hall and run through 8pm. Money will be raised through individual donations, sale of artwork and a bake sale. Donations will be accepted until 10pm.

Photographs in the exhibit were taken by writer/photographer and Tunkhannock native, Dale Wilsey Jr.

All proceeds will go directly to the Dietrich Theatre.




October First Friday benefit gallery for Dietrich Theater

Posted by Unknown | Posted in , , , , , , , , , , , , , | Posted on Wednesday, September 21, 2011

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The day after the waters had retreated, I visited the Dietrich in hopes of finding Hildy, owner of the theater and all-around sweet woman, and to see just how badly the building had been damaged. It was only the day before that muddy water surrounded and engulfed the beautiful building.

When I finally found Hildy, there was still that gleam of happiness and optimism in her eyes even though she was obviously exhausted and heart broken. An army of volunteers had already completed a massive amount of cleaning and the theater, although down, was nowhere near being out. Hildy even spoke of the upcoming (and still happening) film festival.

Somehow, I wanted to help. As I snapped a few photos of the inside of the oldest section of the theater, I told Hildy that if there were anything I could do to help, not to hesitate in calling. Only a day or so later, my opportunity would arise.

Stephanie Bush, friend and fellow Tunkhannock native, contacted me on behalf of the Scranton Cultural Center and asked if I would be interested in displaying a gallery of my photography to benefit the Dietrich. Of course I accepted the offer, though nervously, and felt that this was my chance to give something back to my hometown in a time of need.

On October 7th, during Scranton's First Friday celebrations, the Scranton Cultural Center will be hosting a gallery of my work throughout the years. It will be a mixed bag of photos ranging in content and focus. Admission will be free with a cash bar. Donations will be accepted and I have decided to put every piece shown at the gallery up for sale with all proceeds going directly to the Dietrich. I will not be collecting one single cent. This showing is for the Dietrich and all that it's given to Tunkhannock and the residents who live, work and create there.

Come out and support an incredible cause and enjoy a beautiful night out in the Electric City. Donate what you can. Every single dollar helps to bring the Dietrich back. Tell friends and family. Mention this to anyone you know. Please come out and help me make this a success.

Thank you in advance to everyone.

Cheers,
Dale Wilsey, Jr.


Look for an interview in the Electric City paper in coming weeks about the show and a little about my rambling mind.

Taking a shot of ink: Prose in Pubs

Posted by Unknown | Posted in , , , , , , , , , , , , , | Posted on Monday, August 01, 2011

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Jack's Draft House FB page.
It's a Sunday night and all of the parking spots on the corner of Gibson and Prescott are filled. Cruising up the block, I find a space sufficient enough to harbor my pickup. Jack's Draft House sits on the corner. Unmarked, save for a neon sign and a small chalkboard in the doorway. Walking through the glass-paneled door, I see people standing about. Sitting everywhere. They're all intently listening. Some sipping dark stouts. Some with gin and tonics or a bourbon.

Mischelle Anthony is standing near the exposed brick archway which leads to the back room of Jack's reciting one of her pieces. Her words illicit laughter as she smiles behind her glasses, reading on about an unfortunate sounding love interest. Already, I'm a bit upset with myself leaving late and missing the majority of her reading. However, my lack of punctuality aside, I become immediately wrapped up in the aura of the night and the second Prose in Pubs is well under way.

Jack's Draft House FB


Prose in Pubs is the creation of local poet/writer/memoirist Amye Archer. Joined by Jim Warner, another area writer who has been involved in readings and the lit scene for some time, they plan the monthly Prose in Pubs, choosing from some of the best talents the area has to offer.

Last night's roster included the aforementioned Mischelle Anthony, Jennifer Diskin, Matthew Hinton and Brian Fanelli. The atmosphere of Jack's lends itself beautifully to the dynamics of poetry and lit readings. So much so that Amye holds the events sans microphone, a portion of readings that I myself have had a difficult time adjusting to. With the comforting glow of soft lights and the warming architecture and aura amidst the crowd, each reader seemed comfortable. In their element. It seemed to me as if we were all long-time friends joining together to share a few drinks and words slightly tinged with hops and warmed by the sound of genuine laughter.

Each of the readers impressed me last night and left me with a hopeful feeling about the growth of the arts in and around the Northeast PA region. Without events such as Prose in Pubs, the arts and talent present in your own back yard becomes hidden. Glowing treasures only unearthed by chance.

Here's to Amy Archer, Jim Warner, Prose in Pubs and all of the amazing talent showcased last night and in the months to come. Bottoms up, my fellow ink-bleeders.


Jack's Draft House FB


-Follow Prose in Pubs and Jack's Draft House on Facebook.

-Read the interview with Amye Archer about Prose in Pubs at the570.com.

-Be sure to visit Amye Archer and Brian Fanelli at their blogs located in my "Less Frustrated Folk" section.

-The next Prose in Pubs is scheduled for Sept. 25th. Stay tuned for details.





Burning bright at both ends

Posted by Unknown | Posted in , , , , , , , , , , | Posted on Saturday, July 23, 2011

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True talent always seems to burn bright and fade away quickly. Whether it finds a way to destroy itself or the world snuffs the flames that burn at both ends, it's here and gone so quickly that you almost miss it. All of the musicians, artists and true talents of the world who have met an untimely end. It's hard to understand why.

In a world that severely needs huge doses of beauty and true art, the tasteless and bland pollute it with mountains of garbage to dig through before finding the true gems. I've seen it in pop culture and I've seen it happen to personal friends. And today, another one joins the list of tragic ends.

Amy Winehouse possessed one of the most sultry and amazing voices of our time. Whether you enjoyed her music or not, her talent was undeniable. Her voice oozed the soul of yesteryears rhythm and blues with a modern twist of pop. Unfortunately, like so many others, she struggled with her own personal demons and couldn't shake the monkey from her back.

Winehouse was found dead in her London flat today. Another to join such names as Jimi Hendrix, Janis Joplin, Jim Morrison and so many others who have formed the ranks of the "27 club". Her death is not surprising to those who knew her lifestyle, but disappointing. Disappointing that such a talent was wasted. That she'll never be able to contribute her voice to music again. If there is any consolation, it's the fact that her talent was preserved in recordings. That her voice was not lost forever. That she was given a chance to share her talents with the world.



R.I.P. Amy Winehouse
September 1983 – July 2011

A surprising treat at First Friday

Posted by Unknown | Posted in , , , , , , , , , , , | Posted on Sunday, June 05, 2011

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What an incredibly filled weekend. Beginning with Scranton First Friday, a bad alternator, replacing said alternator, breakfast at Sky Haven airport this morning and ending with Bluegrass fiddles and banjos at the NEPA Bluegrass Festival. I've got some writing and other, less important things to do. But first, a treat.

Chip Forelli 

There is one thing that I must mention about First Friday. Chip Forelli. Some of you may already know about him. Especially those with Apple computers. Chip Forelli, a photographer who's work spans 25 years, is the featured artist at Camera Work gallery in Scranton. He produces some of the most amazing black and white photographs I've seen in a while.

My creative quest is the discovery of visual gifts - those precious instances of unrevealed beauty that  we unknowingly encounter every day.  Much is to be gained by embracing these opportunities. 

That's not your average, artistic banter either. Chip's images range from mysterious and perplexing to absolutely beautiful and breathtaking. In a medium which is becoming over-saturated with bland, cliche and overly Photoshoped work, Chip's images are a breath of fresh air. His long exposures bring an ethereal, dream-like aura into the image captured. A moment in time, seemingly captured in the stillness of the print, begins to play out right before your eyes.

Chip Forelli
Although I didn't get a chance to speak with Chip, I overheard him talking about one of the pieces on display at Camera Work. The image is a frozen, snow-covered lake. Two sets of footprints begin in the foreground together before moving apart creating separate paths to destinations unknown. When asked if he had created the prints himself, Chip commented that the scene portrayed in the photo was found that way. "Two people had a disagreement and went their separate ways," said Chip. A much more insightful and interesting answer than "I don't know".

Chip Forelli
The gallery is on display until June 29th and is free to the public. Anyone heading to the Scranton Zine Fest, where myself and a few other writer/poets will be reading, will be able to check it out.

Chip Forelli

Art, poetry and zines: Scranton Zine Fest 2011

Posted by Unknown | Posted in , , , , , , , , , , , | Posted on Wednesday, May 18, 2011

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Zines have been a staple of the DIY community, music scenes, art scenes and they've carried the voices of rebellion and free thought for decades. On June 11th, the growing art community of Scranton will converge on Center Street to celebrate this diverse, pulp-filled art form.

Zine Fest is the creation of Jessica Meoni, a fourth-year, Graphic Design student at Marywood, who has been involved with past events such as Scranton Ladyfest. Recently, she has joined the design committee of the Pages & Places Book Festival and the Scranton Reads committee.

Jessica has brought together "zinesters" from all over to participate in the event. As an added bonus, she's invited a few poets to the mix for a reading to take place in what used to be the Anthology bookstore.

The Fest is fast approaching and Saturday evening, amidst a few beers (and one delicious bowl of chili) at Jack's Draft House, I met with Jessica and the other poets who I'll be reading with the day of. Among them are Brian Fanelli, a friend and poet from the area who's chapbook Frontman contains poems which traces the journey of a liberty-spiked punk rocker, Amy Archer, who's made 80's hair poetic (it can be done), Alexis Czencz Belluzi, Rachael Goetzke and Charlotte Lewis. The reading will take place at 4 p.m. and will be hosted by Brian Fanelli.

The Fest promises to be an eclectic mix of people and ideas which Jessica has ideas of continuing as an annual event. Tables will be arranged along Center Street and will feature art work, an array of zines and arts & crafts from varying sources. Even the poets have a table (they'll be selling everything from jewelry to souls). You can check out the Zine Fest site for more information on who will be there and what the fest will entail.

For more about the poets, you can visit these sites:
The Fat Girl Skinny - Amy Archer's blog
BrianFanelli.com

...and you're already reading mine.

A true artist

Posted by Unknown | Posted in , , , , , , , | Posted on Thursday, December 02, 2010

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Over the course of the past seven years, I've come into contact with artists from all walks of life and working in various aspects of the creative world. A lot of these people that I've encountered have been forgettable. Honestly, most of them have been forgettable. People who created worthless art just so they had an excuse to say, "Hey, I'm an artist". It gave them a reason to justify their pompous, holier-than-thou attitudes. Well, those people will be forgotten by more than just myself. When you're no more interesting than the shit I step in by accident while feeding my dog but every bit as annoying, that happens.


Those people who I've met that create truly good art and not trash that makes me want to punch the nearest hipster square in the jaw have given me hope for a future filled with beautiful creations to behold. We may just have to search a little harder to find these creations. At least I've happened across a few. 


Christa Felice, a painter and now a dear friend of mine, possesses an incredible talent for turning canvas into truly moving works of art. In her own words: 

"I am a painter whose goal is to create dynamic compositions through the use of exciting visual devices. In some of my paintings I use invented figures as departure points. Other times my work is void of recognizable imagery completely as subject matter is secondary to overall form. My main focus is not to recreate images that we have all seen before but rather to strip my work of all narrative and concentrate on composition. Therefore I am able to push my boundaries by arranging shapes and colors in unexpected ways accomplishing compelling movement while maintaining a sense of balance and overall harmony."
Decide for yourself:

 Poussin - (Interpreting the Masters Series)

 "Matador" - Monotype

 Allegorical Figures No. 39 - Charcoal & Acrylic on Paper

 Allegorical Figures No. 34 - Charcoal & Acrylic on Paper

This is just a small sampling of Ms. Felice's work. She has recently submitted her work to the 3RDWARD Open Call to be considered for a residency in New York City and a chance for her own showing in the city. If you enjoy these, check her submitted work out and give her a vote to help her chances at the residency. Give a great artist a chance at something she deserves in a world that seems to forget just how important art is anymore.

Also, the works above (and many others that she has created) are for sale. If you have any questions, you can E-mail me and I would be happy to forward your information to Ms. Felice. A website for her work is currently being constructed and, as soon as it is launched, I'll be posting it here.

Legos as Art: A look at Nathan Sawaya's "The Art of the Brick"

Posted by Unknown | Posted in , , , , , , , , | Posted on Sunday, April 18, 2010

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It had been quite some time since I had visited the Everhart museum in Scranton, but today I ventured there with a few friends of mine to check out the new exhibit The Art of the Brick.

The Art of the Brick showcases sculptor Nathan Sawaya's unique ability to turn the Lego brick, something most of us identify with as one of the top ten things you don't want to step on, into interesting pieces of art.

When I was first informed of the display, I was immediately excited. As a child, countless hours were spent building Lego sets by the instructions, admiring them for a bit and then destroying them only to create something from my own imagination. Cars with wings, aircrafts that doubled as houses, houses that doubled as cars, and everything else from robots to spaceships. However, not once did I even grasp the full potential of what those little bricks could become.

In The Art of the Brick, Sawaya constructs sculptures of the surreal, the whimsical, childish and historical. Upon stepping into the exhibit, I was greeted by the largest sculpture on display. A T-Rex fossil replica which stood approximately six feet tall and about twenty feet long. It was almost humorous how I smiled and thought back to my childhood days. Every one of my friends would have been extremely envious of me if I had that many Legos let alone if I had created a dinosaur out of them.

While the T-Rex was incredibly impressive, I was more interested in his portraits. While not as intense or intricate as the T-Rex or other sculptures, the portraits seemed to bring the artistic element of the display to light and leave the novelty feeling behind. The sculptures had me in a constant state of boyhood fascination while the portraits made me stop and appreciate the actual idea behind Sawaya's work. However, a few of the sculptures, such as "Yellow" which eerily reminded me of Cronenberg's film Videodrome, had the same effect on me as his portraits.

Extremely detailed and lifelike pieces are not what you will find in Sawaya's work, but the scope of his imagination and ability to translate these ideas using a childhood toy seems to overshadow the physical limitations of the medium.

I can't help but to have a feeling of novelty when viewing his work, though. Part of this is due to the childhood connection to the medium. As I said, for most of the exhibit I was simply awash with a feeling of boyhood excitement. While walking among the other spectators, many of whom were young children and their parents, most of the artistic ambiance was lost. Children hustled around exclaiming their excitement about the pieces rather loudly while parents kept vigilante eyes on them making sure they didn't try to play with the sculptures. 

You become enthralled with a feeling of simple joy and memory and forget about the fact that you are in an art gallery viewing artistic pieces of work. This could be exactly what Sawaya is trying to convey. To transcend from childhood imagination into artistic expression while keeping the observer in a state of borderline giddiness. Even if this is the case, however, the novelty of it wears quickly leaving one to contemplate the actual artistic value of Sawaya's work.

Is Sawaya's work completely novelty and worthless? Of course not. He explores the use of a non-conventional medium and does so rather impressively. Imagination and creativity can run rampant but, as much as Sawaya claims that there are no limits to the possibilities, limitations are inherent. The sheer size of his current work would be almost impossible if not for the use of adhesive to keep it all together.

Overall, if you take Sawaya's work for what it is, it is, at the very least, interesting and enjoyable. Artistic? Yes. Novelty? Yes. But, would you really go into an exhibit of Lego sculptures expecting anything completely groundbreaking and artistically mind-blowing? Sawaya is not DaVinci. He is what we all wish we could have been when we started throwing together Lego blocks out of our plastic bin of hundreds of pieces. Sawaya just has a much larger bin with millions of pieces and plenty of time to play with them.

If you enjoyed Legos as a child or simply want to see something out of the ordinary, then I suggest checking out The Art of the Brick. It's an especially child-friendly exhibit and may help to get your children interested in the art world by associating art with toys and fun. However, if you happen to miss the exhibit or it doesn't make a stop in your area, I wouldn't be all too concerned. I do suggest at least looking at Sawaya's website, though.

The exhibit is on display at the Everhart museum in Scranton, Pennsylvania until May 2nd. Cost of admission for adults is $5 and this includes all other exhibits and collections within the museum.